Krista Henry
jamaicagleaner.com

For many persons, age is just a concept. Nowhere is that proven more than the local music industry, where countless entertainers are on a musical mission that spans their entire lives.
Retirement age is 60 and 65 for women and men, respectively, with early retirement starting at 55. Music, however, disregards the norm, making it one of the few professions with a long life span.
In reggae music, there is a long history of artistes who have dedicated decades to the music business, a number of whom started out as children. Read more…
Phyllis Pollack
examiner.com
This is part two of a two-part interview.
“I always wanted to have Michael Jackson on my right hand, but I am the real one in the mirror. As he sings in the song, “Man In The
Mirror,” “change your ways,” and so I changed my ways. And although I don’t believe I am the man in the mirror, I sent him a message and him didn’t come, so I would give him to Satan for changing his skin from black to pink. When him born pink? If Michael Jackson was black, he would be on my right hand still. Now, he is behind me, his fault, not mine. I give him a choice. I say, “You want to know Jesus Christ. I write it in a magazine, this is my number, call me here, and I will show you Jesus Christ, who you are imitating. I don’t get a reply. So I tear off my right hand and give him to Satan. So I put Haile Selassie I on my right hand instead of Michael Jackson.” Read more…
Interview by Phyllis Pollack
examiner.com
This is part one of a two part interview.

The Upsetter (Drew Goren)
Grammy winning reggae icon Lee “Scratch” Perry, the legendary mastermind behind reggae music and dub, will be performing in Los Angeles on August 25 at the Key Club.
In addition to his seminal work in reggae, blessing the world by creating a new musical genre, Perry is also directly responsible for scratching vinyl. His brilliant studio production is heard on some of the most historic reggae albums recorded. His innovative studio work changed the face of music, as Perry became a major influence, not only to the reggae artists he produced, who have included the likes of Bob Marley and The Wailers, Max Romeo and Junior Murvin, but Perry also cast his spell on countless other artists that have included rockers like The Clash, with whom he worked on “Complete Control.” His immeasurable influence is also the direct flashpoint for DJs who scratch on their turntables, one of the elements of hiphop. Perry, whose prolific volumes of work began to amass during the Fifties, received the 2002 Grammy Award for Best Reggae Album for his album Jamaican E.T, and his Repentance album was nominated for that title earlier this year. As if his already immeasurable contributions to the world of music are not enough, and despite the countless tracks he has recorded, Perry continues to record and perform, and his voluminous work continues to expand. Read more…
Michael Brunton
time.com
In the steamy dancehalls of northwest Jamaica in the 1950s, Lee “Scratch” Perry was a teenager fresh from the sugarcane fields, scooping up prizes with his energetic renditions of dances like the Yank and the Mashed Potato to the hottest boogie-woogie and R&B tracks newly washed in from the nearby U.S. Half a century later, the tide has turned — as it did in the ’60s and ’70s — and it’s the rhythms of the Jamaican dancehall that are now storming the U.S. (and European) charts. Leading the charge are young guns like Sean Paul and Wayne Wonder, who are bending America’s native hip-hop with new sounds. And so Perry — at 67 still the inspired lunatic-producer of reggae — finds himself in possession of his first Grammy (for last year’s album Jamaican E.T.), and encamped at London’s plush Royal Festival Hall, where his three-week stint as curator of the 11-year-old Meltdown festival kicked off on Sunday. Read more…
